Sunday, March 28, 2010
Confessional Poetry
Friday, March 12, 2010
Themes and Tensions in Ragtime
*the multiple, insistent connections and links between characters
*the rise of industrial, mechanized capitalism
*metafictional commentary (stories about stories)
*simulacra (images/copies of "the real"); increasing confusion about the real versus the fake; the original versus copies
Wednesday, March 10, 2010
Ragtime

Wednesday, March 3, 2010
Arthur Miller's Death of a Salesman (1949)

America has long been known as a land of opportunity, a place of great possibility, as the phrase "The American Dream” indicates. In Arthur Miller’s Death of a Salesman, we follow Willy Loman as he reviews a life marked by the desperate pursuit of a dream of success. Although he denies any direct intent to make a political statement about the capitalist way of life in the United States. Miller brings the American Dream onto the stage for evaluation. Through reading this classic drama, we will investigate both what is truthful and what is illusory in the American Dream. We will also contextualize this play within mid-century social crises of value, politics and economics.
Unusual in its presentation of a common man as a tragic figure, the play received the Pulitzer Prize as well as the New York Drama Critics’ Circle Award when it was produced and published in 1949.
Miller famously stated this about the play: “I wished to create a form which, in itself as a form, would literally be the process of Willy Loman’s way of mind.” How does he do this?
Below note your observations about the play's structure, staging, and content. What questions do you have as you are reading the opening scene? (Try to read through the whole play, but focus your comments below on the first act.)
